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NUMBER PLATE FONTS OF EUROPE DIN 1451 Mittelschrift | 1936, by Ludwig Goller (based on an earlier Prussian Railways design from 1905), later redrawn by Linotype staff, commercial. Other implementations also available from various foundries.
Notes about the specific European countries that use variations of DIN 1451 for their number plates appear further below. Click the following links to go directly to the notes for each country, indicating how they have modified the font for their own use: Austria | Belgium | Czech Republic | Finland | Germany | Hungary | Italy | Poland | Romania | Slovakia | Spain | Sweden |
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Most of the relevant information about DIN 1451 is covered in our main narrative about European number plate fonts. A point we’ll mention here is the alternate forms of the 6 and 9. In the original design of the typeface, the ending strokes of these two numerals used the curved finishing stroke form of the characters shown above. The modern interpretations of the typeface use the diagonal finishing stroke, with the curved, semicircular versions having been relegated to secondary status as alternate characters. (Either a separate font or special keystroke required to access them.) Most European countries who employ DIN 1451 for their number plates use the original versions of the 6 and 9, however. Poland is an exception that uses the newer-style diagonal 6 and 9, and Sweden at one time employed the modern versions, although its current use of DIN employs the original forms. Modernized DIN 1451 variants: There are a couple of modern “reinterpretations” of DIN worth mentioning: FF DIN by FontFont: FF DIN differs from DIN 1451 in two respects. Design-wise, the width of horizontal strokes and arcs have been narrowed slightly for more optically even and harmonious stroke weights. This is a common optical adjustment (to compensate for human perceptual quirks) built into more modern sans serifs, compared to those of earlier eras. Otherwise, the overall design of the original DIN 1451 has been followed fairly closely. Secondly, the basic single-weight design of DIN 1451 has been expanded into a complete family of 5 weights (light, regular, medium, bold, and black) with corresponding italics. Informatic: Unlike FF DIN, this is a significantly different design from DIN 1451, but the overall influence and inspiration is clear. Letterforms in the curves are more square, but at the same time Informatic has a more humanistic, less antiseptic feel. |
For further specimens or to buy this font: Linotype
(original foundry) Equivalent font by different designer and/or under different name, from: Elsner+Flake
(as DIN 1451) We do not sell fonts ourselves or field questions about them. We recommend Myfonts.com as the most user-friendly of all font sites on the web, for its overall combination of quick-loading pages, faster and more tailored font-searching, and more extensive and flexible font specimen displays. (Note: We have no relationship with Myfonts.com except as a satisfied user/ customer.) |
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Countries
who use DIN 1451
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